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Jean-Michel Basquiat un Self-Portrait qui s’envole

Jean-Michel Basquiat chez Christie’s Jean-Michel Basquiat, “Self-Portrait” atteint £3,554,500 au marteau lors de la vente: “Post-war and contemporary art evening auction” du 29 juin 2016. Notes concernant le lot de la vente du 30 juin 2016: Lot Notes‘Nothing can replace the warmth and immediacy of Basquiat’s poetry, or the absolute questions and truths that he delivered….

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Jean-Michel Basquiat chez Christie’s

Jean-Michel Basquiat, “Self-Portrait” atteint £3,554,500 au marteau lors de la vente: “Post-war and contemporary art evening auction” du 29 juin 2016.

basquiat,painting,bad-painting,painting,christie,auction,2016
©Jean-Michel Basquiat. Courtesy Christie’s.

Notes concernant le lot de la vente du 30 juin 2016:

Lot Notes‘Nothing can replace the warmth and immediacy of Basquiat’s poetry, or the absolute questions and truths that he delivered. The beautiful and disturbing music of his paintings, the cacophony of his silence that attacks our senses, will live far beyond our breath. Basquiat was, and is music … primitive and ferocious’—J. DEPPChristie’s is delighted to present an outstanding group of eight works by Jean-Michel Basquiat from the collection of the celebrated actor, producer and musician Johnny Depp. Spread across the Post-War and Contemporary Art Evening and Day Auctions, this carefully-curated selection of early paintings and drawings testifies to Depp’s visionary engagement with one of the twentieth century’s most powerful artistic forces. Assembled over the course of more than twenty-five years, the works offered for auction stem exclusively from the early 1980s: the pivotal period that saw Basquiat’s transformation from clandestine street artist to global superstar. Channelling the creative energy that fuelled the musical and artistic underbelly of post-punk New York, the works represent a time capsule of this meteoric period. Together, they bear witness to the birth of a revolutionary visual language – a raw poetry of gestures, words and symbols – that would come to explosive fruition in Basquiat’s canvases of 1982. From the electrifying tableau Pork, executed on a discarded door, to the remarkable double self-portrait illustrated on the cover of Larry Warsh’s 1993 volume Jean-Michel Basquiat: The Notebooks, each work in the collection represents an expertly-chosen, jewel-like artefact from Basquiat’s early years. Widely exhibited in many of the artist’s most important retrospectives, they stand together as a connoisseurial survey of the moment that launched Basquiat’s stratospheric, though tragically all-too-short, career.Since the 1990s, Depp has cultivated a close, personal relationship with Basquiat’s works, seeking out pieces that resonate with his understanding of the artist. United by their passionate commitment to their respective fields, the two share a fearless creative drive: a relentless desire to push the boundaries of their art forms. In Basquiat, Depp has identified something of a kindred spirit: an artist who was not afraid to work against the grain, to project his persona into every aspect of his output, and to channel his voice through multiple artistic media. Like Depp – a talented guitarist, who has performed with Marilyn Manson and Alice Cooper – Basquiat’s work was driven by a powerful affinity with music: a rhythmic and lyrical impulse that ran deep in his veins. Depp’s eloquent essay on Basquiat – commissioned by the gallerist Enrico Navarra in 2000 – testifies to a profound connection with this aspect of the artist’s aesthetic. ‘Nothing can replace the warmth and immediacy of Basquiat’s poetry, or the absolute questions and truths that he delivered’, he writes. ‘The beautiful and disturbing music of his paintings, the cacophony of his silence that attacks our senses, will live far beyond our breath. Basquiat was, and is music … primitive and ferocious’ (J. Depp, ‘Basquiat Paintings – for Enrico – under the influence of Pork’, in E. Navarra, Jean-Michel Basquiat, Paris 2000, p. 17). Lire la suite ici…


 

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